Leonard Cohen at the Arena in Geneva, 27 October 2008
2016 has taken many great musicians from us. Early in the year we lost Prince and David Bowie. Gord Downie of the Tragically Hip is still with us for now, but the band played its last concert. And then there was Leonard Cohen.
Cohen began his career as one of the long parade of 1960s singer-songwriters who temporarily changed the phrase “folk music” so that it now referred to the music of educated urban élites. He earned a place alongside Joan Baez, Joni Mitchell, Bob Dylan – many of whom he played with. In that context he developed his talent for enigmatic, evocative lyrics. But as far as I’m concerned, none of his real greatness comes from that period. If he had died as young as Janis Joplin (or Amy Winehouse), I wouldn’t be writing this tribute, and a few decades from now I’m not sure that he would be remembered.
Cohen’s real brilliance came out in the 1980s and early 1990s, when decades of whisky and cigarettes had lowered his sensitive folkie voice into a gravelly growl, and his music took a darker turn to match. Continue reading