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Caution towards innovation

by Amod Lele on Oct.21, 2009, under Aesthetics, French Tradition, German Tradition, Natural Science, Place, Politics, Social Science, Yavanayāna

Sunday’s post, on modernism and the change in values from “old-fashioned” to “old-school,” might help explain a question that I and others have pondered here: why do human beings so often prefer what is old? Stephen Walker noted the point in his comment on Yavanayāna Buddhism: people often seem unwilling to credit themselves with innovations, to accept that their ideas are new. Rather they present themselves as defending old ideas when they come up with new ones. (In his The Sociology of Philosophies, Randall Collins suggests that this is a typical pattern in human thought (especially in Japan, but elsewhere as well): “innovation through conservatism.” A while back I asked a similar question about authenticity: why do we privilege authenticity so much, when its distinguishing feature would seem to be the absence of choice?

Maybe we can start to see an answer now that we’ve had a chance to look back on the alternative. The twentieth century, in many ways, was the century of modernism – the rejection of the past as a guide to living. As I noted last time, modernism brought us Pruitt-Igoe, the grand and innovative housing project that was dynamited as unlivable. But more than that, I think, it brought us Communism, the form of government practised in the Soviet Union, China and their allies in the mid-twentieth century. (continue reading…)

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“Old-fashioned” and “old-school”

by Amod Lele on Oct.18, 2009, under Aesthetics, French Tradition, Islam, Place, Politics, Social Science

Texaco buildingAmong my peers in their twenties and thirties, the word “old-fashioned” seems, well, old-fashioned (unless, tellingly, it’s referring to the cocktail). I rarely hear it anymore. More commonly, to describe something that seems to belong to an earlier time – a rotary-dial telephone, a tabletop Ms. Pac-Man game, a handlebar moustache – the word of choice is “old-school.” As far as I know, this term has its current provenance from hip-hop music, referring to older works from the 1980s, before the genre became completely mainstream. Urban Dictionary, the anarchic oracle of contemporary slang, identifies “old school” as “Anything that is from an earlier era and looked upon with high regard or respect…. Typically, they are highly regarded and sometimes the very thing that started it all.” Compare a definition of “old-fashioned” from Apple’s dictionary widget: “(of a person or their views) favoring traditional and usually restrictive styles, ideas or customs: she’s stuffy and old-fashioned.”

This change in usage can’t be a coincidence. I think of a twentysomething friend of mine whose father is a modernist architect, a devotee of the International Style. He builds the kind of buildings that only architects can love, eminently functional buildings that appear to most people (including his daughter) as merely ugly: what Jane Jacobs famously called a Great Blight of Dullness. When I visit their house, I see at a picture of him on the wall from the 1970s: a dashing, handsome young man, decked out resplendently in the fashions of the age. Once upon a time, it was the trend to be modern. (continue reading…)

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