Love of All Wisdom

My wedding approaches rapidly, and with my love of philosophy it’s important for me to have profound and meaningful readings at the ceremony. We have each picked a modern reading that meant a lot to us – she from Walt Whitman, and I from Max Ehrmann’s Desiderata, beautiful advice from when I was a child. But I also wanted to find meaningful premodern readings, and that turned out to be a lot harder.

The problem I quickly realized is that romantic marriage is a recent invention, a construct of our own time. It was obvious to me from the beginning that I’d get little help from Indian Buddhism, where sex and marriage are emphasized as fetters that bind us in suffering. I knew that to choose marriage was to side against Śāntideva. Sure, Śāntideva praises the monk Jyotis for breaking his monastic vows and marrying a woman who fell in love with him – but Jyotis, like a good bodhisattva, did this entirely out of compassion. “I’m marrying you out of sympathy” is not exactly the note on which I want to start married life. (continue reading…)

Many years ago when I began grad school, I recall overhearing fellow grad students (in comparative literature, I think) discussing Jack Kerouac’s On the Road, the now classic Beat Generation story of travel through the USA. One of the students mentioned the main character’s deeply questionable behaviour – especially, as I recall, his tendency to form sexual relationships with local women and then nonchalantly abandon them – and the other agreed, responding “Yeah, On the Road is really offensive.”

I didn’t say anything – I wasn’t part of that conversation – but something about that offhand remark has bothered me ever since. “Offensive“? Is that the best word you have for a criticism, I thought? In the politically correct Nineties, had moral criticism been erased and replaced with mere “offensiveness”? Then something must have gone terribly wrong. For to my mind, offensiveness had always been something good. We political radicals – as I and the other students identified – were supposed to be offensive against the values of the conservative mainstream… weren’t we? Even now, when I’m far less political, I still love deliberately offensive humour – the bad taste of Sarah Silverman’s stand-up comedy or of South Park. To be inoffensive, by contrast, seems a lot like being nice, in the wrong way. If all that was wrong with On the Road was that it was “really offensive,” it seemed to me, then nothing is wrong with it.

What does it mean, indeed, to be “offensive”? The word has achieved a particular currency in the era of identity politics – a cultural product is “offensive” to particular groups of people. But what is that? What makes it “offensive”? Is offensiveness purely a creation of a postmodern era of heightened sensitivity? Typically, I think, something is called “offensive” because it is presumed to be insulting; more specifically, because someone feels insulted. I suspect there isn’t much of an objective dimension to offensiveness; something is only offensive if someone is offended.

And here ??ntideva’s magnificent words in chapter six of the Bodhicary?vat?ra come back to me. (continue reading…)

The term “postmodernism” (or “poststructuralism”) is notoriously elusive; it’s sometimes said that if you think you know what it is, you don’t. But that doesn’t stop its practitioners from talking about it, and I don’t think it should stop anyone else either. I will use “postmodernism” to refer to a set of ideas, widely held among academics in the past 30 years, which takes inspiration from Jacques Derrida and Michel Foucault, and denies the worth of claims to truth. One will frequently find postmodernists (John Caputo is one of the more explicit about this) claiming that “the truth is that there is no truth.”

The claim that there is no truth is false. It contains a contradiction that cannot be resolved unless one takes it to mean something very different from what it appears to mean. Nor is this one of that narrow group of paradoxes which could be taken as true on the grounds of Graham Priest’s dialetheism. Priest tries to argue that most of the problems with contradiction stem not from accepting some contradictions, but from accepting all; but if one accepts “there is no truth,” one comes much closer to allowing all contradictions in. Indeed postmodernists often approvingly quote the philosopher of science Paul Feyerabend in telling us that “anything goes.”

It is not true that there is no truth. What is crucial about this and other postmodern claims, however, is that its truth value is not the point. Like Stanley Fish, postmodernists shift our attention away from contradiction and truth entirely, claiming they’re not the important thing. (Caputo at one point approves one of his opponent’s moves because “it drops the stuff about contradiction and actually addresses the issues.”) Drawing on J.L. Austin’s theory of speech acts, postmodernists will argue that the reason to make such a claim against truth is its performative dimension. The point, that is, is not what the sentence says, but what it does.

It is on this last point, however, that the evidence against postmodernism seems strongest. What, exactly, has postmodernism accomplished? I have previously mentioned cognitive dissonance and spiritual transformation as reason to be concerned about contradictions. But these are typically not at the forefront of postmodern concern. Rather, most postmodern writers express some sort of concern for marginalized political groups – women, gays, transgendered people, the poorer or working classes, people in nonwhite racial groups, people from colonized societies. But what has postmodernism actually done to improve their situation?
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I’ve recently been enjoying Joss Whedon’s underrated science-fiction TV series Dollhouse. Whedon’s ingenious plot twists and a strong supporting cast have made the show highly enjoyable, at least since the middle of the first season; beyond that, the show’s premise is bait for philosophers, especially those who focus on the ethics of technology or enjoy “thought experiments.” It’s about a secret operation that erases people’s memories and personalities and “imprints” them with completely new ones. Given the rapid pace of advances in contemporary neuroscience, it is not entirely far-fetched to say that such a process could become feasible within my lifetime; and it raises a great deal of questions, familiar to Buddhists, about the nature of personal identity.

Last Friday’s episode, Belonging, implicitly makes a further point about the good life. (Spoiler warning, if you haven’t seen this episode.) (continue reading…)

I’ll begin with happy news: I’m engaged! This weekend I proposed to my beloved Caitlin, and I’m delighted to say she accepted.

Now, I’ve tried to be explicit that this is a philosophy blog, not a personal blog – while a great deal here is autobiographical, the purpose of even those entries is to point to bigger questions, questions that I hope my life story can help illuminate in some way. So I’m going to talk today a little bit about my reasons for deciding to marry. The particular reasons, of course, are all about my sweetheart herself, a beautiful, smart, funny, playful, charming, sexy, adventurous, responsible, virtuous woman. But there are more general reasons that tie to the blog’s bigger concerns.

Above all, my action this weekend is not one that ??ntideva, or the Buddha of the Pali suttas, would view as a part of the highest, best, most fully virtuous life. They speak at length of the disadvantages of the household life, the life spent among family with a paid job in the everyday world. The life of a monk is a higher and better one to pursue. Eros keeps us mired in the suffering of everyday life, enslaved to the desires and craving that only cause us yet more suffering. The monk, by contrast, devotes himself or herself fully to the development of virtue, much more able to rise above craving and suffering.
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I’m often surprised by people who see gay rights as an entirely one-sided, good and evil issue – and then turn around and condemn incest, even consensual adult brother-sister incest, as sick, disgusting and therefore wrong. (The “therefore” is the most intriguing part.) I’ve always enjoyed Dan Savage’s sex columns, but after his continued attacks on those who condemn gay sex as disgusting (such as ensuring that this (NSFW) is the first Google hit for Senator Rick Santorum’s name), I lost a lot of respect for him when he repeatedly proclaimed incest to be wrong.

Savage’s arguments are startlingly poor. (continue reading…)

Over the past decade, the academic study of Indian traditions has become heavily politicized. For those who haven’t been following the issue: basically, some people of Indian origin (usually Hindu), in India and elsewhere, have started finding out what North American religionists are saying about the traditions they recognize as their own; and it outrages them. Their most visible leader is Rajiv Malhotra, a New Jersey-based businessman with pockets deep enough to get his views a hearing. Most of the time the flashpoints for the critics are around sex: they are outraged at frankly sexual depictions of the tradition they follow and the gods and leaders they revere. The outrage is not so much about the obviously sexual parts of the tradition – the Khajuraho temples or the K?ma S?tra – so much as it is about Freudian psychoanalytic depictions of beloved figures in the tradition, such as the elephant god Ga?e?a (Ganesh), the military hero Shivaji or the nineteenth-century mystic Ramakrishna. There have been calls to ban or even the offending books (respectively by Paul Courtright, James Laine and my friend Jeff Kripal). Sometimes these calls have effectively succeeded, with Courtright’s Indian publisher removing his book from circulation in India. As a result of these controversies, a group of activists from the right-wing Hindu Shiv Sena party broke into the offices of Shrikant Bahulkar – one of the kindest, gentlest and most generous men I have ever had the fortune of working with – and blackened his face, as well as destroying priceless manuscripts at the institution where he works, solely because James Laine had thanked Bahulkar in the acknowledgements of his book. (continue reading…)

José Cabezón has an interesting article on Buddhism and sexuality in the latest (summer 2009) issue of Buddhadharma: The Practitioner’s Quarterly. The article examines the tricky concept of “sexual misconduct” (kamesu micch?c?ra in Pali); one of the basic Five Precepts is a vow to refrain from “sexual misconduct.” But what exactly counts as misconduct? A fellow student asked me this when I took a Goenka vipassan? course. Goenka, in keeping with his general emphasis on non-harming, himself listed only rape and adultery as examples. But premodern Buddhists have typically gone further than this.

Cabezón probes the point that the present Dalai Lama, while defending the “full human rights” of gay people, nevertheless treats male homosexual sex (and oral and anal sex more generally) as a form of sexual misconduct. (continue reading…)