I return now to my correspondence with Justin Whitaker about the Sigālovāda Sutta, the Pali text so often viewed as a guide to the household life. Justin helpfully begins his latest post with a list of the previous correspondence we have exchanged on the topic so far, so I won’t repeat the list here. (The opening list unfortunately doesn’t include hyperlinks to the earlier posts, but those links can be found at the bottom of the latest post.)

From my previous post on the more general philosophical issues, I think we can now return to the sutta itself. Justin is correct that I read the Sigālovāda Sutta as “an overly strict and dour text that sucks the joy out of householder life”. He claims that this is a misreading. Is it? Let us take a look at the feature of the Sigālovāda that most leads me to such a reading: what I characterize as its prohibition on attending theatrical shows. I will examine that prohibition in detail this time, and next time talk about we do with it as Buddhist theologians – a topic that I find more interesting. (Since Justin and I have been pursuing this debate at a slow pace, I will post the next one on my usual schedule in two weeks, and I recommend he wait for it before posting a reply.)