Category Archives: Play

Thoughts on MonkTok

12 Sunday Mar 2023

Posted by in Early and Theravāda, Modernized Buddhism, Monasticism, Play, Politics, Self-Discipline

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In my view the most interesting thing about TikTok is the proliferation of subcultural communities that flourish on it – WitchTok, BimboTok, KinkTok, NunTok. The most unfortunate thing about TikTok, conversely – well, aside from the alarming power it gives the Chinese government – is that there is no real way to find these cultures on the platform, you just hear about them on the news. This week, I happened to hear in that way about one such subculture of particular interest to me – and that is MonkTok.

In Cambodia, that is, younger Buddhist monks are now making videos on TikTok and getting famous for them, drawing up to half a million followers. From what little I know about this phenomenon – basically drawn from one article this week – I have mixed feelings about this.

Hak Sienghai, a Buddhist monk with more than 500 000 TikTok followers, according to the Rest of World article that is this image’s source.
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Doing what you love when the money won’t follow

05 Sunday Jun 2022

Posted by in Economics, Family, Flourishing, Friends, Play, Work

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I have frequently been critical of the advice given by baby boomers to “do what you love and the money will follow”. After the hard experience of my generation and the ones following it, I think the word has gotten out how terrible that advice is, with books coming out with titles like Do What You Love and Other Lies. We are now at the point that Freddie deBoer can describe the critique of that advice as “endless”, and critique the critique:

There’s also the endless genre of “don’t do what you love” essays, which critique the omnipresent cultural assumption that you should do what you love. And yeah, that can be exploitative, as employers will often use that love as a means to be selfish with your pay and benefits. But what’s the alternative? Don’t try to get paid doing something you like? Do what you hate? I read Maya Tokomitsu’s book on this question, and like so much of what the socialist left publishes these days it was far more compelling as a critique of what exists than as an argument for a better alternative.

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Eliminating and interpreting as Buddhists

22 Sunday May 2022

Posted by in Early and Theravāda, Hermeneutics, M.T.S.R., Modernized Buddhism, Monasticism, Play, Pleasure

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I want to turn now to what I think are the really interesting questions raised by Justin Whitaker’s latest post on the Sigālovāda Sutta. These are questions of hermeneutics, of method in interpretation. As noted, the previous post was exegetical: I think everything I say there could have been endorsed by a historically oriented religion scholar with no stake in Buddhist tradition. But Justin and I are not that: we are Buddhist theologians, who consider ourselves Buddhists and seek to apply the tradition to our lives. So I now want to take the previous post’s ideas into that wider theological context.

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Does the Sigālovāda Sutta prohibit attending the theatre?

08 Sunday May 2022

Posted by in Early and Theravāda, Hermeneutics, M.T.S.R., Play

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I return now to my correspondence with Justin Whitaker about the Sigālovāda Sutta, the Pali text so often viewed as a guide to the household life. Justin helpfully begins his latest post with a list of the previous correspondence we have exchanged on the topic so far, so I won’t repeat the list here. (The opening list unfortunately doesn’t include hyperlinks to the earlier posts, but those links can be found at the bottom of the latest post.)

From my previous post on the more general philosophical issues, I think we can now return to the sutta itself. Justin is correct that I read the Sigālovāda Sutta as “an overly strict and dour text that sucks the joy out of householder life”. He claims that this is a misreading. Is it? Let us take a look at the feature of the Sigālovāda that most leads me to such a reading: what I characterize as its prohibition on attending theatrical shows. I will examine that prohibition in detail this time, and next time talk about we do with it as Buddhist theologians – a topic that I find more interesting. (Since Justin and I have been pursuing this debate at a slow pace, I will post the next one on my usual schedule in two weeks, and I recommend he wait for it before posting a reply.)

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Are we taking up the suttas’ view of household life?

19 Sunday Dec 2021

Posted by in Early and Theravāda, Family, Flourishing, Monasticism, Play, Pleasure, Self-Discipline

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Justin Whitaker has made a second defence of the Sigālovāda Sutta, and it’s time for another response on my end. As a recap, we are debating the value of the Sigālovāda as a guide to lay Buddhist ethics: I do not find it a good guide, he does, and we’ve had a round of back-and-forth over this

I think Justin’s latest comment on the topic is very perceptive, and it pushes the points at which my own take on Buddhism is a reinterpretation, a departure from the classical Pali suttas – for the advice offered by the Sigālovāda is in keeping with the tenor of advice offered in many other such suttas. I’d like to follow up in a couple of ways, among them to ask about how much Justin’s own view might be such as well.

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The people need their opium

21 Sunday Nov 2021

Posted by in Aesthetics, German Tradition, Metaphysics, Play, Pleasure

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Preston Sturges’s splendid old Sullivan’s Travels is a wonderful film with an important message. (I assume a spoiler warning is not necessary for an eighty-year-old film.) The protagonist, John Sullivan, is a director of lowbrow comedies who aspires to instead make serious art about the suffering of the poor. He tries to do experiential research about their suffering, and winds up being falsely imprisoned at hard labour. The prisoners’ one reprieve is to watch a Disney Goofy cartoon, at which Sullivan finds himself laughing uproariously. His lesson, from actually experiencing the suffering of the poor, is to go back to making silly comedies. The film closes with his lines: “There’s a lot to be said for making people laugh. Did you know that’s all some people have? It isn’t much, but it’s better than nothing in this cockeyed caravan.”

Sullivan in prison laughing at Goofy

The story of Sullivan’s Travels serves as an eloquent defence of lowbrow or shallow art, of kitsch and even smarm. And I think it helps us see what is wrong with the philosophical critique of kitsch.

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Reinterpreting the Sigālovāda’s prohibition on theatre

10 Sunday Oct 2021

Posted by in Aesthetics, Early and Theravāda, Hermeneutics, Play, Pleasure, Zest

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I was delighted to see Justin Whitaker responding to my post on the Sigālovāda Sutta – both in a comment and in a separate post of his own. Justin and I first found each other long ago over our shared interest in Pali Buddhist ethics, and he was one of my more frequent interlocutors in the early days of Love of All Wisdom, so it’s great to see him back around. I recall Justin citing the Sigālovāda favourably several times in earlier conversations, so perhaps it’s not surprising that my broadside against it is what brought him out of the woodwork!

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The Sigālovāda’s vicious mean

01 Sunday Aug 2021

Posted by in Attachment and Craving, Early and Theravāda, Faith, Flourishing, Foundations of Ethics, Hermeneutics, Monasticism, Play, Pleasure, Self-Discipline, Work, Zest

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The Sigālovāda Sutta might be my least favourite sutta in the Pali Canon.

There is relatively little that the Pali texts say on “ethics” in a modern Western sense of interpersonal action-guiding; much of the specific instructions on action are found in vinaya, legal texts for the conduct of monks. The Sigālovāda is relatively unusual in providing guidance for action to lay householders. For that reason, a number of secondary writers on Buddhist ethics regard it as as a valuable guide for Buddhist ethical conduct.

I do not.

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Absurd trolleys

15 Sunday Mar 2020

Posted by in Action, Analytic Tradition, Metaphilosophy, Morality, Play, Prejudices and "Intuitions"

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It appears that the trolley problem is, as they say, having a moment. Possibly due to its newfound relevance to autonomous cars and other robots – a relevance that would have been entirely science-fictional when Philippa Foot formulated the modern version of the problem in 1967 – it is now making multiple appearances in popular culture. In that respect it is a notable counterpoint to the claim I made years ago that analytic philosophy doesn’t make for good visual media.

Two years ago I noted how the problem is the focus of an excellent episode of Michael Schur’s The Good Place. The Wikipedia entry on the trolley problem lists several other appearance from the past decade. Perhaps most entertainingly of all, the writers of the webcomic Cyanide and Happiness have released a hilarious party game (in the matching style of Apples To Apples or Superfight) called Trial By Trolley.

trial by trolley

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Putting intimacy/integrity back together

10 Sunday Nov 2013

Posted by in Epistemology, Metaphilosophy, Metaphysics, Philosophy of Science, Play, Work

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Last week I submitted Thomas Kasulis’s dichotomy of intimacy and integrity worldviews to critical scrutiny. I pointed out the distinction between the epistemological element on one hand, in which intimacy knowledge is somatic and affective while integrity is self-reflective and public, and the ontological element on the other, in which intimacy sees the world as composed of internal relations and integrity sees it as made up of external relations. I noted Hegel appears to have an intimacy ontology and an integrity epistemology, while the Pali Buddhist texts appear to be the opposite – suggesting that rather than speaking of intimacy and integrity as a unity, perhaps we should break them up.

And yet while one can separate the two elements of these ideal types in this way, I suspect that one shouldn’t – because they turn out to have a deep logical relation to each other. It is one that I think Kasulis tends to leave unstated, partially because he doesn’t split up these two elements in the first place. Continue reading →