Any serious contemporary Buddhist intellectual needs to think through the connection between Buddhist ideas and the relevant claims of natural science. Many of us, too, are expressive individualists: we believe that there is something valuable in the project of discovering one’s true self. The expressive individualist view of self-discovery and self-expression – put perhaps in most recent terms as “let your freak flag fly” – is that’s an uncomfortable fit with a tradition that has proclaimed for millennia that there is no true self.
There are at least three different metaphysical understandings underlying each of Buddhism, natural science, and expressive individualism, and at least at first glance they all appear to be in conflict. Resolving this conflict is not easy, and recently my views on how to do it best have significantly changed. I often find I get the best sense of what’s important in other people’s philosophies by figuring out what they changed and why, so I thought it would be helpful to show the changes in my own.
It doesn’t sit very well with many modern readers, including myself, to put a high value on shame. We often find shame to be something that cripples us, makes us burn with embarrassment in a way that inhibits our doing good. Too often I look to some minor misdeed of mine, sometimes even just a joke that failed to land, and instinctively beat myself up for it. Yet detailed introductions to Pali Buddhist texts will often note that these texts prize the mental states of hiri and ottappa, two Pali terms which are both often translated “shame”. It is important to pay attention to the parts of a tradition we disagree with, especially if it’s our own tradition; they can be the ones we learn from the most. So I don’t want to dismiss the texts’ valuation of what looks like shame.
And yet one day while looking through the suttas for something unrelated, I chanced upon something that is much less commonly remarked on: the Pali texts also contain a critique of shame. Or at least of something that could be translated as “shame” just as reasonably as hiri and ottappa can be. That something is kukkucca.
Pema Chödrön’s When Things Fall Apart is a beautiful and valuable work on dealing with difficult circumstances. What strikes me in it is how Chödrön – despite being a monk herself – takes a position so deeply at odds with traditional Indian Buddhism.
Chödrön refers to the traditional Buddhist “three marks” (tilakkhaṇa or trilakṣaṇa) of existence: everything is impermanent, suffering, and non-self. This idea goes back to very early texts. But Chödrön does with it is something quite different from the earlier idea:
Even though they accurately describe the rock-bottom qualities of our existence, these words sound threatening. It’s easy to get the idea that there is something wrong with impermanence, suffering, and egolessness, which is like thinking that there is something wrong with our fundamental situation. But there’s nothing wrong with impermanence, suffering, and egolessness; they can be celebrated. Our fundamental situation is joyful. (59)
Here’s the problem with this passage: the classical Indian Buddhist texts are quite clear that in fact there is something wrong with our fundamental situation. She is disagreeing with them, whether or not she acknowledges it.
Seth Zuihō Segall, longtime friend of Love of All Wisdom and author of The House We Live In, will be offering an eight-week online course, called The Seven Universal Virtues, offered through Tricycle magazine. On each virtue, Seth will be in conversation with another thinker; I’m doing the one on temperance. (Others include Sharon Salzberg, Stephen Batchelor, Jack Petranker.) The course takes inspiration from Aristotle, the Buddha and Confucius and their shared point that good lives are those that cultivate virtue and wisdom through practice and study.
You can enroll for access to approximately six hours of material, plus contemplative exercises and two live Q&A sessions with Segall on October 22 and November 10. The course starts begins on September 30, so sign up today if you’re interested. You can learn more by watching a preview lesson.
We can say with confidence that, someday, there will be no more human beings. That means that we are fooling ourselves if, as Simone Weil claims atheists must do, we seek an absolute good in a human future, revolutionary or otherwise. The human species and its creations, ultimately, are just like individual humans: ultimately, this too shall pass.
I don’t want to knock attempts to make progress in the world. My life, and so many others, are immeasurably better than were those hundreds of years ago, in the short time we have on this planet. As Peter Berger rightly noted, “remind yourself that, in any historical painting depicting a scene prior to the mid-19th century, 80 percent of the people in the picture are suffering severe tooth pain.” That progress matters. But we must not lose sight that there is no more ultimacy to that progress than there is to progressive improvement within our own individual lives.
This is what Martin Hägglund’s work misses: the “realm of freedom” he envisions cannot be our telos, our ultimate end. I have found Hägglund’s work very helpful because it envisions a utopia that actually seems relatively utopian to me – and by doing so, shows us the limits of utopia itself. Even if we can envision a material utopia that we take do be as desirable as that one seems, and we think that utopia is possible, we need to recognize that that utopia is not our ultimate end; our ultimate end is a literal end, human extinction. (That’s not even to mention the point that even in a material utopia we will have tons of other problems to deal with.)
How then should we live our lives, knowing that, individually and collectively, they must end? It seems to me that this realization helps us shift our attention from the future to the present, in a myriad of ways – recognizing the need to be here now, to use a once-popular phrase. Multiple traditions point us to the importance of such a present-orientation. I think it is at the heart of George Grant’s Daoism. William Christian’s introduction to Grant’s Time as History says: “Grant found [Nietzsche’s] doctrine of eternal recurrence of the identical an attractive correction to the view of time as history: ‘It is… a doctrine of the trans-historical whole of nature.'” Most traditional cosmologies do not understand time as a progress of history, but as in some respects cyclical or recurrent, and there is something about such traditional views that helps us attune ourselves to the present rather than focus obsessively on the future.
Western scholars of (socially) engaged Buddhism have often also considered themselves practitioners of engaged Buddhism, in a way that is more common than with other forms of Buddhism. Thus scholarship on engaged Buddhism often tends to take on a theological cast. I don’t think this is a bad thing. I’ve long tried to advocate that non-Western traditions should be treated as partners in dialogue, not as mere objects of study; we should be doing ethics and not only doing ethics studies. The field of engaged Buddhism is one where scholars often do Buddhist ethics and not merely study other people who do Buddhist ethics, and I appreciate that about the field very much – against those like Victor Temprano who object to such normative work.
Now theological scholarship still is, and should be, scholarship, subject to standards of academic rigour. This is where engaged Buddhist scholarship has sometimes been lacking. Engaged Buddhist scholars often write as if all Buddhism is socially engaged Buddhism, ignoring the Buddhists who advocate social disengagement. I’ve said my piece about that part. Today I want to point to another area where engaged Buddhist scholarship has lacked rigour in the past: the question of what engaged Buddhism is.
In my view the most interesting thing about TikTok is the proliferation of subcultural communities that flourish on it – WitchTok, BimboTok, KinkTok, NunTok. The most unfortunate thing about TikTok, conversely – well, aside from the alarming power it gives the Chinese government – is that there is no real way to find these cultures on the platform, you just hear about them on the news. This week, I happened to hear in that way about one such subculture of particular interest to me – and that is MonkTok.
In Cambodia, that is, younger Buddhist monks are now making videos on TikTok and getting famous for them, drawing up to half a million followers. From what little I know about this phenomenon – basically drawn from one article this week – I have mixed feelings about this.
I wanted to reflect a bit more on my debate with Charles Goodman at Princeton this November. (If you haven’t seen it yet, here’s the video of the debate and our handouts.) I don’t think either of us would consider the debate conclusive. Indeed, following the debate, our conversations that afternoon indicated that the issues we were really concerned about lay elsewhere.
For most of my life, when people asked me “what’s your religion?”, I usually felt the need to respond with a paragraph. That changed about eight years ago, dealing with my wife’s cancer treatment, where I realized it was important to me to be able to say simply: I am a Buddhist.
It felt strange, and yet reassuring, to be able to answer “what’s your religion?” with a simple answer. Yet complexity remains – the sort of complexity that has led me to proclaim, “I am a fine distinction“. I note nowadays how there is almost no area in which my identity is single, and I say: I am gender-fluid, biracial, binational… and a Buddhist who celebrates Christmas.
I think one often learns the most about a philosopher from those points where her views change. With that in mind, I’d like to highlight a way I think my own thought has changed recently. Ten years ago on this blog, I posted an essay that I had written ten years before that, for Robert M. Gimello’s graduate course on Buddhist meditation traditions. That paper critiques Ninian Smart’s chapter “What would Buddhaghosa have made of The Cloud of Unknowing?” (in Steven Katz’s Mysticism and Language). My now twenty-year-old essay tears Smart to pieces for his comparison between Buddhaghosa’s Visuddhimagga and the fourteenth-century English The Cloud of Unknowing. And in the light of my more recent thoughts on mystical experience, I now think that tearing up went too far.