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Christmas, Edmund Sears, Henry Wadsworth Longfellow, kitsch, Milan Kundera, music, theodicy, United States, war
I will be taking a break from blogging over the next few weeks’ holiday. When new posts return in January, they will be on a biweekly (or fortnightly, if you wish) schedule: every alternate Sunday rather than every Sunday. I continue to enjoy writing Love of All Wisdom and intend to keep doing so, but as I have tried publishing more conventional papers, studying computer science and teaching a course on top of my day job, the weekly schedule has been too hard to sustain. I hope that alternating weeks will make it easier for me to continue engaging in the wonderful exchanges of ideas that have taken place here.
In Canada and the US today, the Christian aspect of Christmas is likely most noticeable in the music. There are of course a great number of English-language Christmas songs with little or no Christmas element (“Jingle Bells”, “Deck The Halls”, “Frosty The Snowman” and so on). It is increasingly common to hear only these songs played in public places. But one may quickly feel something missing here. Certainly some of these songs are grander than others; it would be a difficult task indeed to argue that “Deck The Halls” is no better a work than “I Saw Mommy Kissing Santa Claus”. But even so, there is a certain depth that is missing from them.
By contrast, many Christian carols engage with some weighty theological questions, especially that most significant of all questions for monotheistic believers: theodicy, the problem of bad. If there is a God – specifically, a being both omnipotent and omnibenevolent – how can the world be so full of terrible things? Continue reading