Tag Archives: kitsch

The people need their opium

21 Sunday Nov 2021

Posted by in Aesthetics, German Tradition, Metaphysics, Play, Pleasure

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Preston Sturges’s splendid old Sullivan’s Travels is a wonderful film with an important message. (I assume a spoiler warning is not necessary for an eighty-year-old film.) The protagonist, John Sullivan, is a director of lowbrow comedies who aspires to instead make serious art about the suffering of the poor. He tries to do experiential research about their suffering, and winds up being falsely imprisoned at hard labour. The prisoners’ one reprieve is to watch a Disney Goofy cartoon, at which Sullivan finds himself laughing uproariously. His lesson, from actually experiencing the suffering of the poor, is to go back to making silly comedies. The film closes with his lines: “There’s a lot to be said for making people laugh. Did you know that’s all some people have? It isn’t much, but it’s better than nothing in this cockeyed caravan.”

Sullivan in prison laughing at Goofy

The story of Sullivan’s Travels serves as an eloquent defence of lowbrow or shallow art, of kitsch and even smarm. And I think it helps us see what is wrong with the philosophical critique of kitsch.

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An aesthetic of extremes

27 Sunday Mar 2016

Posted by in Aesthetics, Emotion, Food, South Asia, Virtue

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Vikram Chandra’s Geek Sublime might be the most popular book in a Western language ever to deal with Indian aesthetic theory. The book’s official subject is the aesthetics of computer science. Though I am getting a degree in computer science myself, I found myself more interested in Chandra’s lucid comments about the medieval Indian philosophers Ānandavardhana and Abhinavagupta and their theory of rasa, the emotional “tastes” that an artistic audience can savour.

What is important about Chandra’s work is that he applies the rasa theory. He draws from the best English-language works I know of on Ānandavardhana and Abhinavagupta: the writings of Daniel Ingalls, Jeffrey Masson and M.V. Patwardhan, especially their translation of Ānandavardhana’s Dhvanyāloka with Abhinavagupta’s locana commentary. But Chandra does what Ingalls, Masson and Patwardhan do not: he asks how the theories of Ānandavardhana and Abhinavagupta could apply to us. Continue reading →

Why give Cthulhu a happy ending?

03 Sunday Jan 2016

Posted by in Aesthetics, Biology, Christianity, Deity, Metaphysics, Natural Science

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A few years ago, Skholiast wrote a lovely post on the philosophical significance of J.R.R. Tolkien and H.P. Lovecraft, two early 20th-century writers who shaped the genres we now call fantasy and horror, respectively. I was reminded of it this year at an enjoyable AAR panel entitled “Cthulhu’s Many Tentacles”.

Cthulhu Cthulhu, of course, is the best-known character (if that is the word) from Lovecraft’s stories, enough that the fictional pantheon he created has become known as the “Cthulhu Mythos”. Cthulhu is one of a set of “Elder Gods”: horrifying, vaguely amorphous, often tentacled monstrosities that have lain dormant for millennia and will soon devour humanity; their horror is such that the mere knowledge of them could drive one mad. The AAR panel gave recognition to many aspects of Lovecraft’s work: starting with a presentation on the man and his work itself, the presenters proceeded to examine the varied dimensions of the fandom that has grown up around Lovecraft (noting, in particular, that fan creativity has been greatly enabled by Lovecraft’s work rising into the public domain).

The most interesting point I took away from the panel came from a talk by David McConeghy (who also, coincidentally, was the respondent to my paper on teaching with technology). McConeghy noted that while a great deal of modern speculative fiction (he cited Mike Mignola’s comic-book series Hellboy) is clearly inspired by Lovecraft’s Cthulhu Mythos and makes references to it, these works also typically have happy endings. Continue reading →

The theology of Christmas carols

22 Sunday Dec 2013

Posted by in Aesthetics, Christianity, Deity, Emotion

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I will be taking a break from blogging over the next few weeks’ holiday. When new posts return in January, they will be on a biweekly (or fortnightly, if you wish) schedule: every alternate Sunday rather than every Sunday. I continue to enjoy writing Love of All Wisdom and intend to keep doing so, but as I have tried publishing more conventional papers, studying computer science and teaching a course on top of my day job, the weekly schedule has been too hard to sustain. I hope that alternating weeks will make it easier for me to continue engaging in the wonderful exchanges of ideas that have taken place here.

In Canada and the US today, the Christian aspect of Christmas is likely most noticeable in the music. There are of course a great number of English-language Christmas songs with little or no Christmas element (“Jingle Bells”, “Deck The Halls”, “Frosty The Snowman” and so on). It is increasingly common to hear only these songs played in public places. But one may quickly feel something missing here. Certainly some of these songs are grander than others; it would be a difficult task indeed to argue that “Deck The Halls” is no better a work than “I Saw Mommy Kissing Santa Claus”. But even so, there is a certain depth that is missing from them.

By contrast, many Christian carols engage with some weighty theological questions, especially that most significant of all questions for monotheistic believers: theodicy, the problem of bad. If there is a God – specifically, a being both omnipotent and omnibenevolent – how can the world be so full of terrible things? Continue reading →

Kitsch

08 Sunday Dec 2013

Posted by in Aesthetics, Christianity, Modern Hinduism, Pleasure, Politics

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baby KrishnaI cannot think very long about aesthetics without encountering the concept of kitsch. Perhaps doubly so now in the Christmas season (on which more in coming weeks), but in the rest of the year at all. One of the reasons I haven’t thought that much about aesthetics, I realize, is that I suspect most modern thinkers on the subject would consider many of my favourite artistic creations bad art – if they would consider them art at all. And the concept which would typically be used to describe them is kitsch: works with a lower-class popular appeal.

Among my favourite works of music are several power ballads of the late ’80s and early ’90s, which I enjoy non-ironically. In visual art, I love the bright Indian aesthetic in its popular manifestations: poster art of deities, temples covered in “Christmas” lights. Continue reading →