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Love of All Wisdom

~ Philosophy through multiple traditions

Love of All Wisdom

Tag Archives: rasa

Are mountains beautiful?

09 Sunday Apr 2023

Posted by Amod Lele in Aesthetics, God, Metaphysics, Place, Pleasure, Protestantism

≈ 4 Comments

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Henry More, Marjorie Hope Nicolson, natural environment, Plato, rasa, Thomas Burnet, Umberto Eco

Western aesthetics has made a lot of a supposed distinction between “the beautiful” and “the sublime”: “sublime” referring to things like high mountains and the starry night that make us feel awe, make us feel small in a good way. Indian rasa theory would likely refer to this feeling as adbhūta rasa, the taste of wonder. I love awe-inspiring natural phenomena – Bryce Canyon, Todra Gorge – and I find the term “sublime” helpful to describe them. But I’ve long found myself mildly puzzled by the distinction. It seems obvious to me that mountains and gorges are beautiful – their sublimity is one variety, one kind, one species, of beauty. Yet writers on “the sublime” tend to treat it as something different from beauty. Why?

I’ve found a good answer to this question in a marvelous old book by Marjorie Hope Nicolson, entitled Mountain Gloom and Mountain Glory. I turned to this book out of curiosity about a related but slightly different phenomenon: the many generations of people who thought mountains were not beautiful. In premodern England at least, it turns out that it was commonplace to view mountains as ugly, as “warts” or “tumours”, deformities of nature. In a world where the goodness of God’s creation was assumed, writers often did not view mountains’ majesty as evidence of God’s own majesty, but rather felt the need to justify why a good and loving God would deign to create such excrescences. Why was that?

Continue reading →

Literature as representation and rasa

21 Sunday Feb 2021

Posted by Amod Lele in Aesthetics, Emotion, Hermeneutics, Metaphilosophy, Place, Politics, Reading and Recitation, South Asia

≈ 2 Comments

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academia, APA, Bryan Van Norden, Jay Garfield, Matt Wilkens, rasa, Sumana Roy, United States

Sumana Roy, a professor of literature at Ashoka University near Delhi, wrote a wonderful recent essay in the Chronicle of Higher Education identifying significant problems with the way Indian literature is taught, in both American and Indian universities. In American universities Indian literature is expected to represent India, to provide a moral or political message about the country and its political life – and, Roy thinks, this American understanding has then been imported into India itself. When Indian universities teach English-language Indian literature, they are asked questions like “Analyze Amitav Ghosh’s The Shadow Lines as a critique of the nation-state” and “Write a note on Velutha as a Dalit character in Arundhati Roy’s The God of Small Things”. Yet in the same departments John Donne is studied as “a metaphysical poet”, Virginia Woolf as “a stream-of-consciousness novelist” and so on. European and American writers, Roy thinks, can be appreciated and enjoyed for their aesthetic qualities; Indian writers are supposed to send a message.

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A Buddhism very different than the one we think we know

19 Sunday Jan 2020

Posted by Amod Lele in Aesthetics, Early and Theravāda, Flourishing, Hermeneutics, M.T.S.R., Pleasure, Politics

≈ 7 Comments

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Aśvaghoṣa, H.L. Seneviratne, Justin McDaniel, Mahāvaṃsa, rasa, Sallie King, Śāntideva, Sri Lanka, Stephen Jenkins, Steven Collins

Weterners who have studied Buddhist philosophy and ethics, even when we have done so at length, are often thrown for a loop when we read the Mahāvaṃsa. This text – one of the most historically oriented texts in premodern South Asia – has been a central part of the Theravāda Buddhist canon for over a thousand years, and played a central role in creating the very idea of “Theravāda” Buddhism.

It also looks very different from the Buddhism we constructive Western Buddhist scholars are accustomed to thinking about. Continue reading →

The saksit of Notre-Dame

03 Sunday Sep 2017

Posted by Amod Lele in Aesthetics, Early and Theravāda, Emotion, Natural Science, Place, Psychology, Roman Catholicism, Supernatural

≈ 5 Comments

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Abhidhamma, architecture, autobiography, Canada, Hebrew Bible, music, Pali suttas, rasa, religion, saksit, Thailand, Thomas Aquinas, Vannapa Pimviriyakul

Basilique Notre-Dame. Photo by David Iliff. Licence: [CC-BY-SA 3.0](https://creativecommons.org/licenses/by-sa/3.0/deed.en)

Basilique Notre-Dame. Photo by David Iliff. Licence: CC-BY-SA 3.0

Basilique Notre-Dame – one of the most magnificent cathedrals in North America – was the first work of architecture to leave a real impact on me, as an undergraduate in Montréal. I visited it again recently for the first time in a long time, and this time it made me think: saksit. Continue reading →

The Indian theory of taste

20 Sunday Aug 2017

Posted by Amod Lele in Aesthetics, Emotion, Food, Pleasure, South Asia, Zest

≈ 2 Comments

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Bharata, Bhoja, Constantin Stanislavski, Jean Anthelme Brillat-Savarin, Leon Kass, Michael Pollan, rasa, Sheldon Pollock, Thailand

I am an amateur at Indian aesthetic theory. I have not studied it much; I can read its Sanskrit source texts, but with some difficulty given how much they allude to literary and dramatic works I don’t know. As with Confucianism and Islamic Aristotelianism, it is a field where I cannot claim significant expertise. Yet I continue to find myself drawn to it, finding ideas that strike me as valuable and relevant – most recently reading Sheldon Pollock’s wonderful Rasa Reader, right from the first excerpt .

The earliest known extant text of Indian aesthetic theory is Bharata’s Nāṭya Śāstra. This text, circa 300 CE, sets out the concept of rasa, central to nearly all later Indian aesthetic thought. Rasa, roughly, refers to the emotion involved in a dramatic or literary work. The tradition often disagrees on where this rasa exists: the actor, the audience, the character, the author or even the work itself. But they all know that the Sanskrit word rasa literally means “taste”; it continues to refer to the sense of taste long after it has developed this more dramatic sense. And this meaning matters. Reading Pollock’s excerpt from Bharata, I am struck by the passage in Bharata’s chapter 6 where he defines rasa:

Here one might ask: What does ‘rasa’ actually mean? Our answer is that rasa is so called because it is something savored. And how can rasa be said to be ‘savored’? Just as discerning people relish tastes when eating food prepared with various condiments [vyañjana] and in doing so find pleasure, so discerning viewers relish the stable emotions when they are manifested by the acting out of various transitory emotions and reactions and accompanied by the other acting registers (the verbal, physical, and psychophysical), and they find pleasure in doing so. Continue reading →

An aesthetic of extremes

27 Sunday Mar 2016

Posted by Amod Lele in Aesthetics, Emotion, Food, South Asia, Virtue

≈ 1 Comment

Tags

Abhinavagupta, Ānandavardhana, Aristotle, Daniel Ingalls, film, James McHugh, Jeffrey Moussaieff Masson, kitsch, M.V. Patwardhan, Mahābhārata, rasa, Vikram Chandra, Wendy Doniger

Vikram Chandra’s Geek Sublime might be the most popular book in a Western language ever to deal with Indian aesthetic theory. The book’s official subject is the aesthetics of computer science. Though I am getting a degree in computer science myself, I found myself more interested in Chandra’s lucid comments about the medieval Indian philosophers Ānandavardhana and Abhinavagupta and their theory of rasa, the emotional “tastes” that an artistic audience can savour.

What is important about Chandra’s work is that he applies the rasa theory. He draws from the best English-language works I know of on Ānandavardhana and Abhinavagupta: the writings of Daniel Ingalls, Jeffrey Masson and M.V. Patwardhan, especially their translation of Ānandavardhana’s Dhvanyāloka with Abhinavagupta’s locana commentary. But Chandra does what Ingalls, Masson and Patwardhan do not: he asks how the theories of Ānandavardhana and Abhinavagupta could apply to us. Continue reading →

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