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Love of All Wisdom

~ Philosophy through multiple traditions

Love of All Wisdom

Tag Archives: Constantin Stanislavski

The Indian theory of taste

20 Sunday Aug 2017

Posted by Amod Lele in Aesthetics, Emotion, Food, Pleasure, South Asia, Zest

≈ 2 Comments

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Bharata, Bhoja, Constantin Stanislavski, Jean Anthelme Brillat-Savarin, Leon Kass, Michael Pollan, rasa, Sheldon Pollock, Thailand

I am an amateur at Indian aesthetic theory. I have not studied it much; I can read its Sanskrit source texts, but with some difficulty given how much they allude to literary and dramatic works I don’t know. As with Confucianism and Islamic Aristotelianism, it is a field where I cannot claim significant expertise. Yet I continue to find myself drawn to it, finding ideas that strike me as valuable and relevant – most recently reading Sheldon Pollock’s wonderful Rasa Reader, right from the first excerpt .

The earliest known extant text of Indian aesthetic theory is Bharata’s Nāṭya Śāstra. This text, circa 300 CE, sets out the concept of rasa, central to nearly all later Indian aesthetic thought. Rasa, roughly, refers to the emotion involved in a dramatic or literary work. The tradition often disagrees on where this rasa exists: the actor, the audience, the character, the author or even the work itself. But they all know that the Sanskrit word rasa literally means “taste”; it continues to refer to the sense of taste long after it has developed this more dramatic sense. And this meaning matters. Reading Pollock’s excerpt from Bharata, I am struck by the passage in Bharata’s chapter 6 where he defines rasa:

Here one might ask: What does ‘rasa’ actually mean? Our answer is that rasa is so called because it is something savored. And how can rasa be said to be ‘savored’? Just as discerning people relish tastes when eating food prepared with various condiments [vyañjana] and in doing so find pleasure, so discerning viewers relish the stable emotions when they are manifested by the acting out of various transitory emotions and reactions and accompanied by the other acting registers (the verbal, physical, and psychophysical), and they find pleasure in doing so. Continue reading →

To play a flawed role

19 Sunday Sep 2010

Posted by Amod Lele in Aesthetics, Bhakti Poets, Deity, German Tradition, Greek and Roman Tradition, Islam, Play, Rites

≈ 9 Comments

Tags

Adolf Hitler, Ali Asani, autobiography, Constantin Stanislavski, David Haberman, film, Immanuel Kant, Krishna, LARP, Muharram, Oliver Hirschbiegel, Plato, Rūpa Gosvāmi, Seven Virtues

In the past few years I’ve become involved in live-action role-playing (usually known by the acronym LARP, or “LARPing”): a cross between long-form improv theatre and tabletop role-playing games like Dungeons & Dragons. This hobby is often maligned, partially because it looks very strange to those not involved (especially on video), and partially because of its association with the kind of intelligent but socially awkward “geeky” subcultures that develop around Star Trek, comic books, collectible card games, Japanese animation and the like. But as I’ve been a part of those subcultures all my life, this is hardly a barrier to my participation. (I hope you didn’t expect that someone who blogs about Sanskrit philosophical texts was one of the popular kids in high school.)

LARPing for me is genuinely a hobby. It’s not an avocation, a “neither career nor hobby” passion like I intend this blog to be; it’s just for fun. Still, lately I’ve been noticing its philosophical implications, largely because of a splendid game I play called Seven Virtues. Continue reading →

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