Tag Archives: music

In praise of alcohol

28 Sunday Dec 2025

Posted by in Aesthetics, Early and Theravāda, Food, Friends, Health, Judaism, Place, Pleasure, Rites, Zest

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Alcohol is further out of fashion these days than at any time in living memory. Even American Prohibition just made people try harder to get alcohol. Today, though, alcohol drinking in the US has fallen to record lows, with only 54% of Gallup survey respondents saying they consume it. Nearly every cocktail-serving restaurant or even bar I visit these days has non-alcoholic mocktail options, often with sophisticated bartending flair – something barely imaginable twenty years ago.

The reasons for this are not too hard to imagine. On the one hand, the medical studies about alcohol’s harms keep piling up, often indicating that even moderate drinking – the kind touted as beneficial to health a couple decades ago – may now have many negative health consequences. On the other, alternative mind-altering substances are now easily available – most obviously cannabis, legal in many American jurisdictions and across Canada, which is a clearly healthier alternative. All in all, all things considered, the downward trend in drinking is probably not a bad thing. And there’s plenty of traditional precedent for being suspicious of alcohol: the fifth of the Five Precepts, guiding lay people, enjoins refraining from alcohol on the grounds that it causes heedlessness.

That said, there are reasons why alcohol has remained so enduringly popular in human history. And we do ourselves a disservice by disregarding them. Alcohol is not for everybody – many people find it takes control of their lives in a harmful way. But even for those people, there’s usually a reason it got so powerfully appealing in the first place. In many human lives, ones where one can control its consumption well, alcohol plays a very positive and valuable role. And as we approach the one festival in the North American ritual calendar where the drinking of alcohol typically plays the largest role, it’s worth thinking a bit about alcohol’s positives.

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Of offbeat philosophers

02 Sunday Feb 2025

Posted by in Aesthetics, Analytic Tradition, Hermeneutics, Metaphilosophy

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Writing advice often rightly asks authors: “When was the last time you wished a book was longer?” Well, now I can say: it was when I recently read Lawrence Harvey’s Offbeat Philosophers: Thinkers Who Played A Different Tune (whose publishers offered me a review copy). This book clocks in at a mere 73 pages, plus bibliography. Fortunately it’s priced accordingly ($10 for the paperback, $8 for the e-book), but Harvey doesn’t leave himself a lot of room to do the job. The book catalogues ten “offbeat” philosophers; it could have used more of them, but more than that, it could have given them each more space. They get about six pages each (including a list of questions-for-further-reflection), which leaves little room to explore the depth that makes a philosopher’s thought exciting.

Harvey doesn’t say a lot about what makes a philosopher “offbeat”, or his criteria for inclusion. He develops the musical metaphor: as in musical syncopation, where “the regular rhythmic flow is disrupted with accents and stresses occurring out of step with the expected norms”, so “the philosophers in this short anthology all play to what might be termed a different tune – one that serves to disrupt and unsettle the fixity of rhythmic thought.” (1) That’s a very imprecise way of putting things, the sort of imprecision that might drive an analytic philosopher crazy, but perhaps that’s just the point: in a philosophical world still ruled by the analytic tradition, to be “offbeat” may well mean to avoid putting precision first.

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The significance of feminine beauty

05 Sunday Jan 2025

Posted by in Aesthetics, Food, Self

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The English word aesthetician can describe two kinds of professionals. In the less common sense, it can describe a philosopher who makes a living theorizing about art and beauty. In the more common sense, it can describe someone who makes a living helping women with makeup and hair and nails.

These two senses have something to do with each other. But we don’t usually talk about it.

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On AIs’ creativity

30 Sunday Jul 2023

Posted by in Aesthetics, Economics, Work

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Until recently, my approach to the very new technology of large language models or LLMs – the AI tools of which ChatGPT is the most famous – had been heavily shaped by my experience of feeding it an essay assignment like my classes’ and thinking the result merited a B or B-. On the disturbing side, that meant that ChatGPT could easily generate a passable paper; on the reassuring side, it meant that it could not easily generate a good paper. The latter still required the human touch.

Imagine my alarm, then, at reading this essay by Maya Bodnick.

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A hymn to Ecclesiastes

26 Sunday Mar 2023

Posted by in Aesthetics, Death, Deity, External Goods, Flourishing, Foundations of Ethics, Happiness, Judaism, Metaphysics, Roman Catholicism

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I don’t remember when I first read the book of Ecclesiastes. I first taught it at the Catholic Stonehill College. There we were free to teach Intro to Religion however we wanted, so to follow my own intellectual curiosity I made it “God in the West”. The one thing we were required to teach was the book of Exodus, which I suspect the department had selected for an uplifting social-justice message in which God acts to free a people from slavery. But the Hebrew Bible, let alone the whole Christian Bible, has never spoken with a single voice, and I selected Ecclesiastes to teach alongside Exodus because the contrast between them is so remarkable.

Much like the Song of Songs (or Song of Solomon), which it immediately precedes, Ecclesiastes is a book you don’t expect to find in the Bible. It makes you wonder: what is this book doing here? The Song of Songs bears the most obvious contrast with what we think we know about the Bible: here is a text that is obviously about a young couple having sex, seemingly celebrating it, and they don’t even appear to be married. That’s not the sort of thing that we are led to imagine would appear in the Bible. But it’s in there.

Ecclesiastes’s contrast to the rest of the Bible is a little subtler, but it’s still notable. Exodus, and other prophetic books, give you a God who acts in the world with righteousness, freeing his chosen people from slavery with terrifying wonders. Ecclesiastes gives you a God who does not.

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Thoughts on MonkTok

12 Sunday Mar 2023

Posted by in Early and Theravāda, Modernized Buddhism, Monasticism, Play, Politics, Self-Discipline

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In my view the most interesting thing about TikTok is the proliferation of subcultural communities that flourish on it – WitchTok, BimboTok, KinkTok, NunTok. The most unfortunate thing about TikTok, conversely – well, aside from the alarming power it gives the Chinese government – is that there is no real way to find these cultures on the platform, you just hear about them on the news. This week, I happened to hear in that way about one such subculture of particular interest to me – and that is MonkTok.

In Cambodia, that is, younger Buddhist monks are now making videos on TikTok and getting famous for them, drawing up to half a million followers. From what little I know about this phenomenon – basically drawn from one article this week – I have mixed feelings about this.

Hak Sienghai, a Buddhist monk with more than 500 000 TikTok followers, according to the Rest of World article that is this image’s source.
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The Nativity is my Ramakien

18 Sunday Dec 2022

Posted by in Aesthetics, Christianity, Early and Theravāda, Epics, Modernized Buddhism, Rites

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For most of my life, when people asked me “what’s your religion?”, I usually felt the need to respond with a paragraph. That changed about eight years ago, dealing with my wife’s cancer treatment, where I realized it was important to me to be able to say simply: I am a Buddhist.

It felt strange, and yet reassuring, to be able to answer “what’s your religion?” with a simple answer. Yet complexity remains – the sort of complexity that has led me to proclaim, “I am a fine distinction“. I note nowadays how there is almost no area in which my identity is single, and I say: I am gender-fluid, biracial, binational… and a Buddhist who celebrates Christmas.

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Doing what you love when the money won’t follow

05 Sunday Jun 2022

Posted by in Economics, Family, Flourishing, Friends, Play, Work

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I have frequently been critical of the advice given by baby boomers to “do what you love and the money will follow”. After the hard experience of my generation and the ones following it, I think the word has gotten out how terrible that advice is, with books coming out with titles like Do What You Love and Other Lies. We are now at the point that Freddie deBoer can describe the critique of that advice as “endless”, and critique the critique:

There’s also the endless genre of “don’t do what you love” essays, which critique the omnipresent cultural assumption that you should do what you love. And yeah, that can be exploitative, as employers will often use that love as a means to be selfish with your pay and benefits. But what’s the alternative? Don’t try to get paid doing something you like? Do what you hate? I read Maya Tokomitsu’s book on this question, and like so much of what the socialist left publishes these days it was far more compelling as a critique of what exists than as an argument for a better alternative.

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The Sigālovāda’s vicious mean

01 Sunday Aug 2021

Posted by in Attachment and Craving, Early and Theravāda, Faith, Flourishing, Foundations of Ethics, Hermeneutics, Monasticism, Play, Pleasure, Self-Discipline, Work, Zest

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The Sigālovāda Sutta might be my least favourite sutta in the Pali Canon.

There is relatively little that the Pali texts say on “ethics” in a modern Western sense of interpersonal action-guiding; much of the specific instructions on action are found in vinaya, legal texts for the conduct of monks. The Sigālovāda is relatively unusual in providing guidance for action to lay householders. For that reason, a number of secondary writers on Buddhist ethics regard it as as a valuable guide for Buddhist ethical conduct.

I do not.

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The Mary Ellen Carter and the secret of happiness

14 Sunday Feb 2021

Posted by in Buddhism, External Goods, Flourishing, Gratitude, Happiness, Mindfulness, Pleasure, Serenity

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I originally wrote this week’s post in a handwritten journal at age 21, more than half my life ago, in 1997 – possibly before at least a few of my readers were born. It was a reflection on my travels backpacking around Thailand and Laos, in the middle of the life-changing experience where I was learning to break with utilitarianism and move instead toward Buddhism. I have not made major edits, because I wanted to preserve the in-process nature of my learning at the time, so it retains the somewhat disjointed style of a first draft. I think it gives a very accurate picture of who I was at that time: someone who had discovered some very important things, perhaps even the most important things, but still had a long way to go.

The piece begins by exploring Stan Rogers‘s wonderful song The Mary Ellen Carter. (If you’re not familiar with the song, I would recommend first listening to it or at least reading the lyrics for the post to make sense.) I’ve been delighted to learn that this year’s youth craze – among people who are now the age I was when I wrote this – is sea chanteys and other sea ballads, so this seemed an ideal time to share this long-ago reflection with the world.

Utilitarianism is self-contradicting. The more time you spend trying to “maximize” happiness through sensual pleasure, fame and fortune, the less happy you will eventually be.

I think of this because I was just humming “The Mary Ellen Carter”. A utilitarian would think the narrator crazy: he digs up the boat not in order to be on a boat again (presumably he could get other work fairly easily), but because of a sense of gratitude, to an inanimate object: “She’d saved our lives so many times, living through the gale.” The utilitarian would agree with the owners: “Insurance paid the loss to us, so let her rest below.” The first thing they teach you in management school is to ignore sunk costs. What we have here is literally a sunk cost – and for its sake alone the narrator spends the whole spring diving, catching the bends twice.

And yet the sense of pride, contentment and satisfaction the narrator radiates in his quest is undeniable. This seemingly useless quest gives his life a purpose, brings him to sing some of the most inspiring lines ever written:

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